Book Club

There’s a touch of Gothic excess about Liz Moore’s suspense novel The God of the Woods, beginning with the plot premise that not one, but two children from the wealthy Van Laar family disappear from the same camp in the Adirondacks some 14 years apart. Moore’s previous book, Long Bright River, was a superb novel about the opioid crisis in Philadelphia; The God of the Woods is something stranger and unforgettable.

Based on a celebrated 19th-century criminal trial in which the defendant was accused of impersonating a nobleman, Smith’s novel offers a vast, acute panoply of London and the English countryside, and successfully locates the social controversies of an era in a handful of characters. Chief among them are a widowed Scottish housekeeper who avidly follows the trial and a formerly enslaved Jamaican servant who testifies on behalf of the claimant. Smith is a talented critic as well as a novelist, and — by way of the housekeeper’s employer, a once popular writer and friendly rival of Dickens — she finds ample opportunity to send up the literary culture of the time while reflecting on whose stories are told and whose are overlooked. “As always, it is a pleasure to be in Zadie Smith’s mind, which, as time goes on, is becoming contiguous with London itself,” Karan Mahajan wrote in his review. “Dickens may be dead, but Smith, thankfully, is alive.”

Murray makes his triumphant return with “The Bee Sting,” a tragicomic tale about an Irish family grappling with crises. The Barneses — Dickie, Imelda, Cass and PJ — are a wealthy Irish clan whose fortunes begin to plummet after the 2008 financial crash. But in addition to this shared hardship, all four are dealing with demons of their own: the re-emergence of a long-kept secret, blackmail, the death of a past love, a vexing frenemy, a worrisome internet pen pal and more. The novel threads together the stories of the increasingly isolated Barneses, but the overall tapestry Murray weaves is not one of desolation but of hope. This is a book that showcases one family’s incredible love and resilience even as their world crumbles around them.

June 1960. Rough weather at sea leaves a group of strangers stranded on the idyllic Greek island of Utakos, all guests of the only local hotel. Nothing could prepare them for what happens next: Edith Mander, a quiet British tourist, is found dead inside a beach cabana. What appears at first glance to be a clear suicide reveals possible signs of foul play to Ormond Basil, an out-of-work but still well-known actor who in his glory days portrayed the most celebrated detective of all time. Accustomed to seeing him display Sherlock Holmes’ amazing powers of deduction on the big screen, the other guests believe that the actor is the best equipped to uncover the truth.

But when a second body is discovered, there is not a doubt in Basil’s mind: a murderer walks among them. What’s more, the killer is staging each crime as a performance, leaving complex clues that bear an eerie resemblance to those found in the pages of Conan Doyle stories. This is a criminal who knows every trick in the book and is playing a deadly literary game. As the storm rages, Basil must become the genius detective he has only pretended to be.

This clever, whip-smart, locked-room mystery from internationally bestselling author Arturo Pérez-Reverte is a love letter to golden-age detective novels. The Final Problem delights in exploring the tension between an investigator and his suspects, as well as a writer and his reader, delivering a revelatory twist that will shock even the sharpest of mystery fans.

How nerve-racking to be G.W. Pabst, the 20th-century Austrian filmmaker at the center of Kehlmann’s wondrous novel. He’s an auteur stuck in Europe under Nazi rule, forced to make propaganda and benign duds for the Reich while compromising every creative principle he once stood for. “The important thing is to make art under the circumstances one finds oneself in,” Pabst murmurs at one point, winning over exactly no one. Still, Kehlmann’s complex portrait, brightened by caustic humor and memorable historical cameos (and fluidly translated from the German by Ross Benjamin), presents an intriguing test of integrity in a fracturing world. The timing couldn’t have been better. 

The Last Flight is thoroughly absorbing – not only because of its tantalizing plot and deft pacing, but also because of its unexpected poignancy and its satisfying, if bittersweet, resolution. The characters get under your skin. Two women. Two flights. One last chance to disappear. Claire Cook has a perfect life. Married to the scion of a political dynasty, with a Manhattan townhouse and a staff of 10, her surroundings are elegant, her days flawlessly choreographed, and her future auspicious. But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he’s not above using his staff to track Claire’s every move, making sure she’s living up to his impossible standards. But what he doesn’t know is that Claire has worked for months on a plan to vanish. A chance meeting in an airport bar brings her together with a woman whose circumstances seem equally dire. Together they make a last-minute decision to switch tickets – Claire taking Eva’s flight to Oakland, and Eva traveling to Puerto Rico as Claire. They believe the swap will give each of them the head start they need to begin again somewhere far away. But when the flight to Puerto Rico goes down, Claire realizes it’s no longer a head start but a new life. Cut off, out of options, with the news of her death about to explode in the media, Claire will assume Eva’s identity, and along with it, the secrets Eva fought so hard to keep hidden. For fans of Lisa Jewell and Liv Constantine, The Last Flight is the story of two women – both alone, both scared – and one agonizing decision that will change the trajectory of both of their lives.

In the spring of 2020, Lara’s three daughters return to the family’s orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother and are forced to reconsider the world and everything they thought they knew. Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families, and marriage, and about women fragmented…and becoming whole.

Maine,1789: When the Kennebec River freezes, entombing a man in the ice, Martha Ballard is summoned to examine the body and determine cause of death. As a midwife and healer, she is privy to much of what goes on behind closed doors in Hallowell. Her diary is a record of every birth and death, crime and debacle that unfolds in the close-knit community. Months earlier, Martha documented the details of an alleged rape committed by two of the town’s most respected gentlemen—one of whom has now been found dead in the ice. But when a local physician undermines her conclusion, declaring the death to be an accident, Martha is forced to investigate the shocking murder on her own. Over the course of one winter, as the trial nears, and whispers and prejudices mount, Martha doggedly pursues the truth. Her diary soon lands at the center of the scandal, implicating those she loves, and compelling Martha to decide where her own loyalties lie.