Book Club

When a pet is sick, people-even the rich and famous-are at their most authentic and vulnerable. They could have a Monet on the wall and an Oscar on the shelf, but if their cat gets a cold, all they want to talk about are snotty noses and sneezing fits. That’s when they call premier in-home veterinarian Dr. Amy Attas. In Pets and the City, Dr. Amy shares all the shocking, heartbreaking, and life-affirming experiences she’s faced throughout her thirty-year career treating the cats and dogs of New Yorkers from Park Avenue to the projects. Some of her stories are about celebs, like the time she saw a famous singer naked (no, her rash was not the same as her puppy’s). Others are about remarkable animals, like the skilled service dog who, after his exam was finished, left the room and returned with a checkbook in his mouth. Every tale in this rollicking, informative, and fun memoir affirms a key truth about animal, and human, nature: Our pets love us because their hearts are pure; we love them because they’re freaking adorable. On some level, we know that by caring for them, we are the best version of ourselves. In short: Our pets make us better people. 

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness. Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever read. 

Martyr! is Iranian American poet Kaveh Akbar’s debut novel about a young man named Cyrus Shams struggling with depression and the death of his mother, who was a passenger on Iran Air Flight 655, an actual plane that was mistakenly shot down in 1988 by an actual Navy ship, the USS Vincennes. All 290 passengers on board that plane were killed. Early in the novel, Cyrus articulates his need to understand his mother’s death and those of other “martyrs” — accidental or deliberate — throughout history. Akbar’s tone here is unexpectedly comic, his story antic, and his vision utterly original. 

Percival Everett is married to Danzy Senna, whose novel, Colored Television, is a revelatory satire on race and class. Senna’s main character, Jane, is a mixed-race writer and college teacher struggling to finish her second novel. Desperate for money, Jane cons her way into meeting a Hollywood producer who’s cooking up a bi-racial situation comedy. Senna’s writing is droll and fearless. Listen to Jane’s thoughts about teaching: One of the worst parts of teaching was how, like a series of mini strokes, it ruined you as a writer. A brain could handle only so many undergraduate stories about date rape and eating disorders, dead grandmothers and mystical dogs. 

Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it? After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.

American women―American wives―have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be “helpmeets” to their ambitious husbands with their own inchoate impulse to “do good” for the people of Vietnam.Sixty years later, Charlene’s daughter, spurred by an encounter with an aging Vietnam vet, reaches out to Tricia. Together, they look back at their time in Saigon, taking wry account of that pivotal year and of Charlene’s altruistic machinations, and discovering how their own lives as women on the periphery―of politics, of history, of war, of their husbands’ convictions―have been shaped and burdened by the same sort of unintended consequences that followed America’s tragic interference in Southeast Asia.A virtuosic new novel from Alice McDermott, one of our most observant, most affecting writers, about folly and grace, obligation, sacrifice, and, finally, the quest for absolution in a broken world.